Beginning Fiddle CANCELLED
This beginning level class will teach the basics of playing the violin with the goal of having students emerge from the class with the confidence and techniques necessary to play simple fiddle tunes. Tuning, bowing, scales, intonation, and tunes will be taught in this first step into the fascinating and fun world of fiddling. This course is designed for people who have never before picked up the fiddle/violin. If you are conversant with the instrument, it is recommended that you instead take classes that focus on style and/or genre. Skill Level A Period 1 ~ Ryan Koons

Beyond Beginning Fiddle
This class is for those students who, after learning the basics of beginning fiddle, are ready to take the next steps toward becoming a fiddle player.  You will emerge from this class knowing how to play some new tunes, how to practice productively and how to continue learning, advancing on the fiddle.  Skill Level A/B  Period 3 ~ Larry Rice

Irish Fiddle 
Join Shannon Quinn in this class and take the rare opportunity to study with a masterful Irish/Celtic/Nova Scotia fiddler and teacher.   Shannon's intermediate/advanced class on Irish fiddle will introduce specific bowing techniques that can be used in relation to Irish music as well as showing different styles of ornamentation. She will also discuss the use of 'form' in traditional Irish music as well as the importance of using dynamics. And of course, she will be sharing some great ol' Irish tunes! Skill Level B/C Period 2 ~ Shannon Quinn

Old-Time Fiddle with Ken Kolodner
We will focus on several bowing approaches that are the core of old-time sound (e.g. the various uses of Nashville shuffles, 3-1 bowing, bow rocks, string-crossing, ghost bows, mid-bow pulses) along with left hand ornamentation (e.g. 4th finger unisons, double-stops, chords, slides, triplets, grace notes, drones etc.). Standard and altered tunings will be used (e.g. GDGD, ADAD, AEAE, DDAD). To help move us along, written music with bowings will be provided for all tunes. Skill Level B/C Period 1 ~ Ken Kolodner

Swedish Fiddle CANCELLED
This class focuses on the fiddling tradition from the Swedish province of Jämtland and the traditions surrounding the nyckelharpa, or Swedish keyed fiddle. In addition to learning a variety of tunes (marches, polskas, polkas, waltzes, schottises), we will access the traditions through recordings made by tradition bearers. Other instruments such as the mandolin, flute, clarinet, dulcimer, etc. are welcome to attend. Teaching will be done by ear without sheet music; the use of a recording device is strongly recommended. Skill Level B Period 3 ~ Ryan Koons

Scottish Fiddle: North-East Scottish Fiddle, Traditional and Modern
Come and learn about the history, techniques and characteristics of Scotland’s North-East fiddle tradition. We’ll look at some of Scotland’s most prolific composers of fiddle music such as James Scott Skinner, William Marshall & Robert Mackintosh and dissect the phrasing, bowing and ornamentation techniques used by fiddle players from this area. We will also learn about the stories and tales relating to the tunes and their composers. We’ll then turn to the ever-changing modern Scottish folk scene. We’ll look at some of the country’s newest composers on the Scottish fiddle scene and how our ever-changing multicultural world has influenced the music written. Our music in Scotland is evolving and expanding every day, so let’s all stay on our toes! Skill Level B/C Period 4 ~ Ron Jappy

Beginning Fiddle
Have you always wanted to play the fiddle? You’re never too old to start! This class is for people with no experience on the instrument. It will require the purchase of certain supplies (in addition to a fiddle, in good playing condition) before classes begin. These include:

1. a patented fingerboard marker called “First Frets”, which you will need to place on your fiddle. No worries! It isn’t difficult! They will be available in the CGOTH store.
2. a shoulder rest or a soft sponge to attach to the underside of your fiddle. 
3. a bow with fairly fresh (no more than a year old) hair. We can help with referrals for repairs in your area
4. rosin
5. a clean, smooth, soft rag for cleaning the instrument...something like an old cotton tea shirt or handkerchief.​

Skill Level A Period 4 ~ Brenda Anna

​A Little Fiddlin’, A Little Flat-Footin’ CANCELLED
Rosin your bow and lace up your dancing shoes. In “A Little Fiddlin’, a Little Flat-footin’.”, We will learn some tunes and basic steps to achieve a better understanding of how the music and dance evolved together. This class is for dancers and fiddlers.  Instrumental Skill Level B Period 2 ~ Danny Knicely, Emily Oleson, Matt Olwell

Old-Time Fiddle
Take this opportunity to learn from Sammy Lind,  simply put, “the old-time fiddler of his generation” whose tone and voice are as old as the same hills that gave birth to this music.  Both the fiddler and banjo player of the Foghorn Stringband, Sammy’s energy is contagious in the classroom.  You will emerge from this class with new tunes, bowings and a deeper understanding of the nature of old-time fiddling.   Skill Level B/C Period 3 ~ Sammy Lind

Old-Time Banjo with Mark Schatz
Mark Schatz takes clawhammer banjo to the next level in this class. Topics covered will include singing with the banjo, dance accompaniment, fiddle tunes on banjo, lots of different tunings for different sounds, and the basics of melodic clawhammer. Pre-requisite: students should have at least a few months of banjo playing experience: enough so that they can either switch with facility among basic chords or play a few simple tunes. Skill Level B/C Period 3 ~ Mark Schatz

Bluegrass Banjo 2
This class will cover advanced techniques, learning to blend them seamlessly with a driving Earl Scruggs underpinning. Instructor Pau Barjau is the banjoist with the Latingrass group Che Apalache. He will incorporate his knowledge of Latin music in this class. Che Apalache’s recent Grammy nominated album was produced by banjo master Bela Fleck. Skill Level C Period 1 ~ Pau Barjau

Old-Time Banjo 1
In this class, Trish will provide students with clawhammer basics and more, as well as a comprehensive introduction to all the wonderful right-hand techniques she has encountered in his extensive study of Appalachian music. If you're ready to dive into the world of old-time banjo, this is the class for you. Skill Level B Period 3 ~ Trish Miller

Clawhammer Old-Time Banjo I
All you need is a 5-string banjo and a capo. In this beginner’s course the instructor will cover basic tunings, right-hand technique and teach some fun, simple tunes. Skill Level A Period 1 ~ Bob Lucas

Old-Time Banjo and Songs
Singing with the banjo is a primary feature to a happy life. If I am feeling low down and have reached a point where I have low regard for myself, I often recall the fulfillment gratified by closing my eyes and singing a favorite old folk song while playing the banjo. The possibilities for simple counterpoint and accompanying harmonies are right close under my hand. It is so great. Of course, you need a banjo and a song to sing. Come on. Skill Level B/C Period 4 ~ Bob Lucas
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Old-Time Banjo with Sammy Lind
Learn clawhammer and 2-finger style banjo from one of old-time music’s great players. Best known for his fiddle prowess, Sammy is equally at home on the banjo. You can hear his music online with the Foghorn Stringband. Skill Level C Period 2 ~ Sammy Lind

Beginning Mandolin
Because of its small size and orderly fingerboard, the mandolin is used in many styles of traditional music and is a great choice for your first stringed instrument. If you already play something else, even better! This course will cover the basics of chords and accompaniment with introduction to tunes and melody. Skills for making music with others will also be emphasized. Skill Level A Period 1 ~ Tim Porter

Bluegrass Mandolin/Mandolin Gym for Beginner/Intermediate Players
Develop better techniques on the mandolin with Martin Bobrik! Martin plays from a broad spectrum of the bluegrass idiom, successfully bringing Latin American music and stylings along with his bandmembers in the Grammy nominated Che Apalache. Using bluegrass mandolin standards as well as tunes from a variety of Latin American traditions, Martin will teach you exercises to take your mandolin playing to the next level. Skill Level A/B Period 2 ~ Martin Bobrik

Blues Mandolin
Explore the variety of typical blues forms and chord progressions from simple to more advanced, 'good chord voicings', several different grooves and strumming patterns, most commonly used scales, step by step system on how to practice an improvisation while including the typical sounds and aspects of the 'blues vocabulary', phrasing and ornaments. You will be able to join a blues jam session even after the first session of this class! Skill Level B/C Period 4 ~ Radim Zenkl

Jazz Mandolin and Jazz Guitar
The jazz mandolinist’s repertoire includes swing, be-bop, Brazilian, and other styles of jazz, and also reflects the blues in many ways. Thelonious Monk had twenty-four points of advice for jazz musicians. We’ll cover them and much more as we focus on many tunes not taught before in this course, such as: “Afternoon in Paris” by John Lewis, “Boplicity” by Miles Davis, “Nuage” by Django Reinhardt, “Now’s the Time” by Charlie Parker, “You Don’t Know What Love Is” by Raye and DePaul, “Carinhoso” by Pixinguinha, and of course “Blue Monk” by Monk. We'll explore melody harmony, and improvisation in a combo-like setting encouraging students to “sit in” with guitar and/or bass accompaniment. We’ll also look at the works of Luiz Bonfa, Clifford Brown, Dizzy Gillespie, Sonny Rollins, Bobby Timmons, and Jerome Kerns. The course is taught by long-time Common Ground on the Hill mandolinist and Chair of the Board of the National Jazz Museum in Harlem, Tim Porter, with jazz guitarist Joe Selly, and is primarily for intermediate and beyond players, but all players are welcome and will find it worthwhile. Skill Level B/C Period 3 ~ Tim Porter, Joe Selly

Blues Mandolin
Many people are unaware that the mandolin was common in early Delta string bands. Mandolinists were present and featured as both accompanists and soloists at the first Delta recording sessions for both Muddy Waters and Howlin’ Wolf. This class will explore the rich history of Mando Blues. Students will learn to play a blues scale and voicings for 7th chords, which are essential for playing the blues. We will cover 12-bar and 8-bar blues progressions that can be used to play many tunes by blues giants such as Mississippi John Hurt and Robert Johnson. Skill Level B/C Period 3 ~ Christopher James

Chord Basics for Mandolin
Never rely on chord diagrams again! In this class, aimed at beginning mandolin students, we will cover basic harmonic theory intended to wean folks away from a reliance on chord books and diagrams and empower them with the knowledge required to confidentially find multiple ways of playing virtually any chord needed for virtually any tune likely to be encountered in Western music. A lofty goal? Perhaps ... but well within the grasp of anyone who attends this session. Skill Level A Period 2 ~ Wayne Fugate

Classical Mandolin
This course aims to connect the folk mandolin and classical mandolin. We’ll work on the fundamentals of sound production, and the definition of the classical mandolin sound, then move on to some basic mandolin techniques that include cross-picking and warm-up exercises. We’ll also overview the classical and romantic mandolin repertoire. Lastly, we will work on coordination and speed. Aimed at beginner and intermediate players though all levels are welcome. The ability to read music will be helpful in this class. Skill Level A/B Period 2 ~ Ekaterina Skliar

Jazz Improvisation +
This course will cover the basics of jazz improvisation on mandolin and other plucked instruments. Special attention will be paid to building the phrases and basics of chord progressions. Alexey will explain how to work with melodic lines in your solo on examples of standard jazz tunes and share the exercises and useful tips for productive practice that help developing the flexibility of playing in different tunes. Printed materials will be handed out. Aimed at intermediate players though all levels may enroll. All plucked instruments are welcome. Skill Level B/C Period 4 ~ Alexey Alexandrov

Klezmer Music +
Klezmer music is celebratory, secular Jewish music that originated in Eastern Europe. This class will begin with learning the modes used to play this music. Then we'll learn a handful of typical dance tunes in different rhythms i.e. a volich, sher, bulgar & others. All instruments are invited. We will put a Common Ground on the Hill klezmer band together and play for the camp! Period 2 ~ Barry Mitterhoff

Mandolin Around the World
This course is dedicated to learning about the history of mandolin and different styles of mandolin playing around the world. Join us in a journey from the baroque mandolin through Beethoven and Paganini to bluegrass and Brazilian choro. In process we will learn several tunes written for mandolin from 17th to 21st century. Aimed at intermediate players, though all levels are welcome. Skill Level B Period 4 ~ Ekaterina Skliar

Mandolin Orchestra/Masterclass +
This class is open to all! This 5th period 90-minute class brings together mandolin staff to demonstrate and discuss their unique styles of performance. An unmatched opportunity to get to know some of the instrument's top players! Period 5 ~ Mark Linkins, Alexey Alexandrov, Wayne Fugate, Barry Mitterhoff, Ekaterina Skliar, Radim Zenkl

Rags and Stomps +
This class will concentrate on the string ragtime of the 20s and 30s. Papa Charlie McCoy, Coley Jones, Howard Armstrong and others will be composers we visit. Syncopated and hot, stomps and rags were the precursors of bluegrass gypsy jazz. Vicksburg Stomp, Dallas Rag and other classics will be taught. All instruments are welcome. Period 4 ~ Barry Mitterhoff

Russian Folk Music +
This course is dedicated to exploring the rich tradition of Russian folk music. We will learn about genres of Russian vocal and instrumental folk music such as calendar ceremonial songs, wedding songs, lullabies, dancing music, and others. Several traditional tunes will be taught in process. All instruments are welcome. Period 3 ~ Alexey Alexandrov

Scales Bootcamp for Mandolin
Everyone knows you should practice them but no one enjoys doing so. In this session, we'll start with the four basic 'patterns' for playing major scales on the mandolin but we'll quickly move wayyyy past that into a discussion of different types of scales, how to practice them and most importantly, how to use them in your compositions and improvisations. We'll discuss how to practice scales for speed - get beyond traditional scale practice with exercises designed to boost the speed of your technique. Learn everything you wanted to know about the bebop scale but were afraid to ask and learn to use the bebop scale in your solos like a pro. Discover the secret to unlocking the Lydian sound, from boring modes To killing solos - an in-depth look at the Lydian sound and how to use it effectively in your solos. Ten diminished patterns that will transform your next solo - explore the secrets the best players use to access diminished patterns in their solos. Skill Level A Period 3 ~ Wayne Fugate

Slowest Mandolin Class Ever NEW
Learn basic right and left hand technique and chords. Take time to enjoy every note and learn some tunes at a very slow speed. This class is a gateway to years of mandolin enjoyment! Skill Level A Period 1 Danny Knicely

Swing Mandolin
The main focus of this class is on improvising over the standard swing chord progressions and playing backup rhythm. It will include: scales and arpeggios covering the whole fretboard, step by step method for practicing an improvisation, basic and advanced chord forms organized into 'good voicings', strumming patterns, chord chart reading and writing, arranging a tune, ear training and standard jazz repertoire. Skill Level B Period 1 ~ Radim Zenkl

Beginning Ukulele
Doesn’t matter if you have never played a musical instrument in your life, you will be playing one after the first lesson. Doesn’t matter if you play another instrument, the ukulele will surprise you with its versatility and its musicality. Doesn’t matter if you don’t own a uke, you can buy a perfectly good starter instrument for under $50. You have no excuse. The secret to the success of this remarkable little instrument is very simple. It is just a whole lot of fun. Have you ever seen uke players without smiles on their faces? This course will be easy, you will learn a lot about music, learn a bunch of tunes, and we will have so much fun they might have to shut us down. Skill Level A Period 1 ~ Gordon Roberts

Ukulele Orchestra
We have been thoroughly inspired by The Ukulele Orchestra of Great Britain and we are jealous of the amount of fun they are having. Take a look at their hilarious version of “Shaft” on YouTube and ask yourself if you don’t want to be in a ukulele orchestra. Whatever your ukulele skill level there is a place for you in this organization. Guitarists please note that you already know how to play the uke, it will take you ten minutes to become proficient and we will let you solo and show off all your twiddly bits - you will however have to purchase a uke to qualify. There will be no standing on ceremony, this class is all about the joy of making music and not worrying how polished it sounds. The best part is we will inflict our musical stylings on the unsuspecting masses as we stage impromptu “pop up” recitals around campus. If you don’t sign up for this class it will be the one that you will have wished you had taken. We are going to have so much fun! Skill Level A/B Period 2 ~ Gordon Roberts

Beginning Ukulele
Doesn’t matter if you have never played a musical instrument in your life, you will be playing one after the first lesson. Doesn’t matter if you play another instrument, the ukulele will surprise you with its versatility and its musicality. Doesn’t matter if you don’t own a uke, you can buy a perfectly good starter instrument for under $50. You have no excuse. The secret to the success of this remarkable little instrument is very simple. It is just a whole lot of fun. Have you ever seen uke players without smiles on their faces? This course will be easy, you will learn a lot about music, learn a bunch of tunes, and we will have so much fun they might have to shut us down. Skill Level A Period 1 ~ Gordon Roberts

Ukulele Orchestra
We have been thoroughly inspired by The Ukulele Orchestra of Great Britain and we are jealous of the amount of fun they are having. Take a look at their hilarious version of “Shaft” on YouTube and ask yourself if you don’t want to be in a ukulele orchestra. Whatever your ukulele skill level there is a place for you in this organization. Guitarists please note that you already know how to play the uke, it will take you ten minutes to become proficient and we will let you solo and show off all your twiddly bits - you will however have to purchase a uke to qualify. There will be no standing on ceremony, this class is all about the joy of making music and not worrying how polished it sounds. The best part is we will inflict our musical stylings on the unsuspecting masses as we stage impromptu “pop up” recitals around campus. If you don’t sign up for this class it will be the one that you will have wished you had taken. We are going to have so much fun! Skill Level A/B Period 2 ~ Gordon Roberts

Beginning Ukulele
Gain the basics on the ukulele: tuning, chords and strumming patterns as well as fun ukulele tunes. Learn to play many styles of music in many keys. No music reading skills required. Folks who already have some playing experience can work on new strums, picking patterns, and techniques and learn more about what else can be done on the ukulele. Skill Level A Period 2 ~ Christopher James

Blues Uke
Blues ukulele? That’s right! Join us as we venture beyond strumming into the mysterious world of turnarounds and blues scales. We'll learn some classic blues songs in a few different keys. Everything will be taught in layers and all levels are welcome. With a few tricks that you can move around the neck you'll be having more fun on your uke than you ever imagined! Students should bring: ukulele, tuner, notepaper, pencil, and recording device (optional). ALL LEVELS. Period 1 ~ Christopher James

Bass with Mark Schatz
Take advantage of this rare opportunity to study with Mark Schatz, two-time International Bluegrass Music Association Bass Player of the Year award. He has recorded and toured with Bela Fleck, Nickel Creek, Jerry Douglas, Maura O'Connell, Tony Rice, John Hartford, Emmylou Harris, Linda Ronstadt, Tim O'Brien, and the celebrated dance group Footworks. For players of all levels, this class will focus on improving your technique and broadening your knowledge about the world of stand-up bass. Period 2 ~ Mark Schatz

Bass Tutorial with Nadine Landry
Don’t miss this chance to study with the bassist and vocalist of the Foghorn Stringband. Their music covers a wide spectrum of genres including old-time, honky-tonk country, Cajun and classic bluegrass. This class will cover beginning basics on bass, as well as technique, basic theory, and lots of other useful information and tips for players just starting out on bass and those with some playing behind them and ready for an infusion of growth in their playing! The instructor will be teaching from the perspective of acoustic bass, but electric bass players are welcome. Period 4 ~ Nadine Landry

Introduction to Celtic Harp
Designed for those who have never played the harp at all. Several simple tunes will be taught during the course of learning your way around the instrument. The Instructor will introduce students to proper skills and technique for playing the Celtic harp. Purchase, tuning, and care of the instrument will be discussed, as well as ways to develop your own practice sessions once the class is over. For total beginners only, minimum 3 students, max. 10 students. Skill Level A Period 1 ~ Jo Morrison

​Easy and Inspirational Tunes for Folk Harp/Intro to Celtic Harp Pt. 2
Harpers will learn songs and tunes that are easy and fun to play on a folk harp. All levels are welcome and will have things to learn. This class is designed to be a continuation of the Intro class for any first period students that want more time on the harp, as the tunes will be very simple and can be learned at any level. More advanced students will learn ornamentation, accompaniment, and nuances for each of the tunes as well. Lyrics will be included if known. Minimum 2 students, maximum 10 students. For all levels. ​Skill Level A-C Period 2 ~ Jo Morrison

Celtic Chill for Harp
There's nothing like some beautiful relaxing tunes on the harp and Rachel simply loves teaching feel-good, chilled tunes from the Celtic world that not only are relaxing to the listener but rewarding and satisfying for the player to learn and play! In this easy-going class, tunes will be taught by ear with music given out at the end of each class. Maximum 10 students. All levels except total beginners. Period 1 ~ Rachel Hair

Hebridean Harp
Puirt à beul (mouth-music) is the tongue twisting Gaelic melodies that were sung for dancing in the Scottish Hebridean Islands when the playing of musical instruments was outlawed in the late 18th century. Come full circle with Rachel as we learn how to play these songs on the Celtic harp. We might even have a go at singing them too, and when the ceilidh gets a bit too energetic, we'll wind down and learn some wistful Gaelic waltzes. Tunes will be taught by ear with music given out at the end of each class. Maximum 10 students. All levels except total beginners. Period 4 ~ Rachel Hair

La Paloma (the Dove) for Harp (and other instruments) +
This beloved Cuban tune, along with "Yesterday" by the Beatles, is one of the most recorded songs in the history of music. When you play tunes people already love, you have them in the palm of your hand. La Paloma makes people feel romantic; a good tune to play for anyone. This tune can be easily adapted to small harp, so you can take it with you anywhere. In addition to teaching harp, Nicolas is a university theatre professor teaching acting, clowning, stage combat, and puppetry to adult theatre students. No wonder he’s fun. Come learn a tune you’ll play again and again. Harps tuned in C. Other instruments welcome. Maximum 10 students. All levels except total beginners. Period 3 ~ Nicolas Carter

Simple and Fun Waltzes for Celtic Harp (and others) +
End your day with an intimate, low-key, relaxing class where we will learn an easy waltz each day. Students are invited to bring waltzes they love to share as well. We'll learn a tune, relax, and maybe even dance. Other instruments welcome. All Levels. Maximum 10 students. Period 5 ~ Jo Morrison

Storytelling and the Harp (and other instruments) +
Imagine using the harp, telling stories to your children or grandchildren, making memories to warm their hearts through the joyful moments and challenges in their future lives. Or using the harp to make storytelling come alive at schools, in home gatherings, at bookstores, or simply as an introduction to a tune before you play anywhere. With Nicolas’s warm, affirming guidance, you will surprise yourself by improvising melodies and creating sounds with your harp to accompany a story. This is a workshop to relax and simply enjoy what your hands can create. It's a workshop about connecting with others with a text, and opening up creativity with yourself. Bring Harp (other instruments welcome) and a brief story to share. Maximum 10 students. All levels. Period 2 ~ Nicolas Carter

Autoharp
This beginning-level class will cover tuning and playing songs on the autoharp. Slim will gear the class to the individual student’s needs. The goal is to become comfortable with your instrument and play music for your enjoyment. Dig out the autoharp that has been in your closet for years and bring it back to life. Learn to make some music—this instrument is fun to sing along with & easy to learn!  Skill Level A Period 3 ~ Slim Harrison

Beginning/Advanced Beginning Hammered Dulcimer
This two-period course is intended for complete beginners, new players with some experience or players who would like to move at a gentle pace. No previous musical experience is required, and you do not need to be able to read music. This course is intended to launch your playing. We will PLAY tunes while learning the basic skills needed to improve: mapping of the instrument, hammering techniques, how to tune your instrument, how to locate all the notes on your dulcimer, play scales and arpeggios in the keys of D, G and A. Most of all, at the end of the week, you will be hooked on the hammered dulcimer! Expect lots of fun while learning. Note: This is a 2-period class. Skill Level A Periods 1 & 2 ~ Mary Lynn van Deventer

Beginning Mountain Dulcimer
You've got to start somewhere and we'll do just that, beginning with the basics of strumming, picking, playing melody against the drone and how to read tablature.  You'll learn a few tunes and get to know your instrument a little bit better as we cover subjects like putting on strings, tuning, how to practice and learning the fretboard.  Contact the Common Ground office to reserve an instrument for the class.  Skill Level A Period 1 ~ Sally Rogers
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Beyond Beginning Mountain Dulcimer - The Bridge To Better
So, you've been playing for a little while but feel stuck in a rut? Can't seem to get past the plateau and you just want to pick up a few new skills?  Then, this is the class for you!  I'll share with you some secrets of the mountain dulcimer, like boxes and selective strumming, chording and flatpicking will also be covered.  Upgrade your ability, take this class! (Beginner - Intermediate) Skill Level A/B Period 2 ~ Bing Futch
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Hammered Dulcimer International!
We'll use fun, easy international repertoire that is perfect for dulcimer clubs, and great for working on accompaniment and arranging.  The hammered dulcimer is found throughout Europe and all along the Silk Road through Asia. Learn a wealth of great music from other countries! Note: This is a 2-period class. Skill Level B Periods 1 & 2 ~ Karen Ashbrook 

Hammered Dulcimer with Ken Kolodner
This course focuses on incorporating a variety of techniques in arranging (e.g. three note chords, valley rolls, bass lines, tremolos, arpeggio fills, etc.), the development of hammering skill, the application of chord theory, and accompaniment ideas. These techniques will be applied in a variety of traditional old-time and Celtic tunes which will be taught through demonstration, by ear, and standard musical notation. Full written arrangements of the tunes also will be provided. Use of a recording device is highly recommended. Note: This is a 2-period class. Skill Level B/C Periods 3 & 4 ~ Ken Kolodner

Mountain Dulcimer Smorgasbord
A little of this and a little of that; come join Bing for a themed excursion through the many personalities of the mountain dulcimer.  This musical smorgasbord will focus on a different style of music each day, from traditional Celtic music and Delta blues to Old Time and rock 'n' roll! Skill Level B/C Period 4 ~ Bing Futch

Beginning Mountain Dulcimer
The mountain dulcimer is known for its beautiful sound and ease of play. It is a great instrument for those who have always wanted to play a stringed instrument but who may have been wary. This class will begin in the Ionian mode and start with basic strumming across all the strings to enjoy the drone qualities of the instrument. For dulcimer students returning to Common Ground on the Hill, a new curriculum will be covered this year, building on the foundation established in the past. The joy of singing folk songs and ballads with the mountain dulcimer with some introductory harmonies will be introduced. The beautiful modal qualities of the mountain dulcimer will be shared along with a brief history of the mountain dulcimer. The class will progress at a relaxed pace while we learn the melodies together. Skill Level A Period 2 ~ Susan Boyer Haley

Beginning Blues Harmonica
This class is designed to help students ‘get their head around’ playing the harmonica without reading music. It doesn’t matter if you like the ‘straight harp’ sound of Neil Young, Bob Dylan, and country tunes or the ‘cross harp’ sound of blues and rock, this class is for you. Students will get an overview of how harmonicas work as well as how to care for them. We will listen to some classic harmonica tunes and map out how to play them. Students will explore different tones as well as amplification. Players are encouraged to play along with others and become aware of when and where to play. A harmonica in the key of C will be provided by the instructor ($10 fee). It is recommended that the students also bring a harmonica in the key of A (for blues and rock), available in the Common Ground on the Hill store. Skill Level A Period 1 ~ Wayne Werner
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Beginning Highland Bagpipes
The instructor will introduce students to the rudiments of playing the Great Highland Bagpipe. Basic fingering and embellishments will be taught. The different types of bagpipe music will be discussed and simple tunes will be taught. This is a class for beginners, and as such, there will be no learning done on the bagpipe itself. Students will learn on the bagpipe's practice instrument, the practice chanter. Skill Level A Period 5 ~ Wayne Morrison

Beginning English Concertina
Several simple tunes will be taught to gain familiarity with the English Concertina keyboard and bellows technique. Basic fingering, phrasing, expression, and playing styles will be discussed. For beginners and advanced beginners only. For English concertinas only. If you are unsure if you have an English concertina, contact the instructor at tewok@portrigh.com. Skill Level A Period 5 ~ Wayne Morrison

Didgeridoo
No experience necessary! Students will learn the basic tone production, proper breathing, several different grooves, vocal ornaments, traditional Australian animal sound imitations, fine-tuning with embouchure, contemporary sound effects and a step by step system on learning the circular breathing. Bring your own didgeridoo in any key. If you do not have a didgeridoo and cannot borrow one, get a 2'' diameter plastic pipe, 47'' long, and a 2'' to 1.5'' coupling (for the mouth piece). Beginner and intermediate students welcome. Sample of Radim’s playing: https://www.youtube.com/watch?v=5L-qXow54CI Period 1 ~ Radim Zenkl

Exploring the Harmonica
The harmonica is portable, durable and affordable. The harmonica has traveled with blues and rock musicians, cowboys and presidents, farmers and astronauts. This is a great instrument for someone who has never played before or to add to the bag for a guitarist, mandolinist, or banjo picker! Students don’t need any prior experience. The class will cover the basics of playing the harmonica- breathing technique, getting a good tone, rhythm, single notes, straight vs. cross harp, bending, and lots of fun songs to play! Supplies- Diatonic 10 hole harmonica in key of C (Hohner special 20 is recommended), notepaper, pencil, recording device (optional). Skill Level A Period 1 ~ Christopher James

Didgeridoo
No experience necessary! Students will learn the basic tone production, proper breathing, several different grooves, vocal ornaments, traditional Australian animal sound imitations, fine-tuning with embouchure, contemporary sound effects and a step by step system on learning the circular breathing. Bring your own didgeridoo in any key. If you do not have a didgeridoo and cannot borrow one, get a 2'' diameter plastic pipe, 47'' long, and a 2'' to 1.5'' coupling (for the mouth piece). Beginner and intermediate students welcome. Sample of Radim’s playing: https://www.youtube.com/watch?v=5L-qXow54CI Period 2 ~ Radim Zenkl

Fujara and Koncovka Overtone Flutes
Beginner:
Overtone flutes (fujara and koncovka) are taking over the world, because they are easy to play and have magic voice. Join our on-line class, no experience is necessary! It’s time to start to play the fujara or koncovka you already have at home, no matter where in the world you live! You will play intuitively by ear from day one, using tones of the overtone scale without any fingering, then adding more tones, effects and improvising with “blue” tones. Short  koncovka has no side holes, the long fujara has 3 side holes, but both use the same overtone scale, so you can learn to play both, or concentrate on one. If you don’t have either instrument yet, you can buy one on line (let me know, I can help with reference).

Intermediate player:
Advance you playing by extending range, effects, playing in more major and minor keys, both traditional and current music, in improvisation, and with others. I know many of you wanted to take the class in the past, and distance to Maryland USA was an obstacle. Use this unique opportunity to finally take your class with our current technology, I am looking forward to meet you!
All levels. Period 3 ~ Bob Rychlik

Beginning Piano: Blues, Rock & Folk
Many people take piano lessons where they are taught to read music, progress to a certain point, then ultimately stop playing. Learning to play piano by ear is fun and far easier than you might imagine. Learn to improvise and play by ear, including basic song progressions, rhythmic grooves, major and minor blues scales as the building blocks to improvisation, fundamental left-hand bass patterns, interesting chord inversions and turnarounds. Some knowledge of the keyboard is required for this class. If in doubt, feel free to e-mail Jesse at jessetoons@aol.com. Skill Level A Period 4 ~ Jesse Palidofsky

Blues Piano with Professor Louie
If you already play piano and are ready to get into blues, barrelhouse, boogie-woogie, or rock playing, Louie starts with fairly simple rhythm patterns and expands into solo playing. He systematically builds strength and agility, first in the right hand, then in the left, until you are playing complicated right- and left-hand patterns and are on your way to playing both lead and rhythm piano. He gives hints and pointers about playing in the traditional blues, rock, and folk styles, both as a soloist and as a member of a band. Learn how to sing along or accompany a singer while playing some Band songs and blues favorites. Skill Level B/C Period 4 ~ Professor Louie

Hodge-Podge Piano
Are you a beginner, intermediate, or advanced piano player? Then this is your course. Here you’ll learn how to play the fundamentals of piano, tricks that will make your jazz playing more fun and interesting, better technique, how to accompany a dance, and how to improvise. Whether you’re a soloist or a member of a band you’ll be able to add to your keyboard knowledge in a fun, light-hearted, stress-free environment. ​Skill Level A Period 2 ~ A.J. Bodnar

Blues Guitar with Guy Davis
From the traditional to the contemporary, from the rural to the urban, Guy Davis’ mastery of the blues knows no limits. Guy is sure to weave this workshop experience together with laughter, compelling story, and song as well as clear instruction in technique. With his voice, his poetry, his tasteful playing and his song, Guy will provide students with an example of the sincere approach to music that has made him one of one of the true stars of blues music today. Got the blues? Don’t miss this one! This is a guitar-based workshop but singers, harmonica players, and others are welcome to attend. Skill Level B/C Period 3 ~ Guy Davis

Celtic Session
This late-afternoon session will be run in the tradition of a free-wheeling Celtic session, encouraging everyone to take part. Session leaders will take turns leading, while students have the opportunity to play along in a one-on-one outside of a teaching environment. This is a judgement-free zone - come play, sing, listen! Period 5 ~ Karen Ashbrook, Ryan Koons, Paul Oorts, Shannon Quinn, Marsh Searle 

Celtic Tunes for Plectrum Instruments
Learn some basic repertoire together that will help build your technique on your plectrum instrument (mandolin, guitar, tenor banjo, bouzouki, octave mandolin). Other melody instruments (fiddle, hammered dulcimer, pennywhistle etc.) are welcome. Tunes will be provided in standard notation with chords, guitar tab, and mandolin tab. We will focus primarily on learning melodies, and only secondarily on accompaniment. Period 1 ~ Paul Oorts

How to Jam CANCELLED
When someone calls a tune you don’t know in a jam session, what can you do? Recording with your phone to learn the tune later is a good start, but it's more fun to find a way to musically participate right then and there. Students will learn to predict chord changes, improvise countermelodies and responses, and reduce a complicated tune to its “skeletal” form. Led by Bill Troxler & Niccolo Seligmann, this welcoming class will give you the confidence to fully participate in any session. This class is aimed at advanced beginners and intermediate students who have mastered some tunes. It is not necessary to be able to read music to benefit from this class. The class will be taught in the oral tradition. Period 2 ~ Niccolo Seligmann, Bill Troxler

Juke Joint Blues
The blues were born in the juke joints of the rural South. This is an opportunity to explore some of the great tunes throughout the history of the blues, played the way they were meant to be played. Period 5 ~ Guy Davis, Sparky & Rhonda Rucker, Jesse Palidofsky

Old-Time Jam
A great opportunity to play some old-time tunes until everyone gets ‘em right. Instructors will take turns leading, while students have the opportunity to play along in a one-on-one outside of a teaching environment. Period 5 ~ Bing Futch, Danny Knicely, Ken Kolodner, Larry Rice, Marsha Searle, Mary Lynn van Deventer

Bluegrass & Old-Time Masterclass
Intended primarily for the DCBU campers, this class is open to all. Don’t miss this chance to learn from this assemblage of master bluegrass artists. A different artist will present each day, covering a variety of topics in a relaxed, informal and informative atmosphere. Bring your instruments and voices – you never know what will happen! Period 3 ~ Che Apalache, Tony Ellis, William Lee Ellis, Rodney Sutton, Jordan Tice

Bluegrass Jam and Bluegrass Slow Jam
Put into practice the music learned during classes as well as playing material that students bring into the mix. Here we join in a supportive and nonthreatening environment to try your latest licks! This jam includes the Bluegrass SLOW Jam and the Bluegrass Jam, so students will have a chance to play songs slowly, and again at tempo. Instructors will take turns leading. Students will all be muted, so no need to feel intimidated or shy! Period 5 ~ Jordan Tice, Tony Ellis, David Morris, Randy Barrett

Healing Through Song
Every day thousands of people are in hospitals, assisted living facilities and programs, sick, alone, and in need of music. You don’t have to be a professional musician to make a difference in the lives of patients, their families and the support staff. Become a part of patients’ healing journeys by visiting and playing music. We'll start by developing a repertoire. We will also discuss how to pick out what to play, where to play, who to contact, what to bring and some basic advice on what to expect and how to act. We’ll visit a local facility to put our learning into practice. This is a life changing experience. Come have fun, sing, play and learn, and leave better prepared to share the love. See video of instructor, below! Period 3 ~ Tim Scully

Folk-Roots Ensemble
The Folk-Roots Ensemble course is open to any and all who wish to play in a folk music ensemble. We will start by briefly examining the definitions of folk, roots, traditional, world, and Appalachian music and explore the similarities, differences, and connections between these genres. The class will then choose what kinds of music they wish to learn. Come learn how to play well with others! All instruments, voices, and experience welcome. This music belongs to everyone. (This course is based on a decade’s worth of experience instructing the Berea College Folk-Roots Ensemble, who have performed with the Chieftains and on CBS television.) Period 4 ~ A.J. Bodnar, Liza DiSavino

Jug Band
Get ready to explore a great American musical tradition. Jug band music is the blues, Dixieland jazz, old-time bluegrass, and traditional country music all rolled up into one. Skiffle is a variation of jug band that often includes sax, clarinet, cornet, and other brass/wind instruments, as well as more contemporary “pop” tunes. Students are encouraged to bring jugs, kazoos, guitars, banjos, and even horns. The only requirement is that you must have a good handle on your instrument (except jug, we’ll teach that) and can play a basic three-chord song in G or C at least. Bring an open mind and heart and let’s have a good time! Period 2 ~ Slim Harrison

Juke Joint Blues
The blues were born in the juke joints of the rural South. This class is an opportunity for students to learn and share blues repertoire in a nurturing, freewheeling environment. Beginner to intermediate level players with all instruments are welcome. Period 5 ~ Royce Anderson, Andy Cohen, Mary Flower

Klezmer Music
Klezmer music is celebratory, secular Jewish music that originated in Eastern Europe. This class will begin with learning the modes used to play this music. Then we'll learn a handful of typical dance tunes in different rhythms i.e. a volich, sher, bulgar & others. All instruments are invited. Period 2 ~ Barry Mitterhoff, Joe Selly
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Mandolin Orchestra/Masterclass +
This class is open to all! This 5th period 90-minute class brings together mandolin staff to demonstrate and discuss their unique styles of performance. An unmatched opportunity to get to know some of the instrument's top players! Period 5 ~ Mark Linkins - conductor, Alexey Alexandrov, Wayne Fugate, Barry Mitterhoff, Ekaterina Skliar, Radim Zenkl

Old-Time Jam & Dance
At its heart, Appalachian dance and music is best when it is shared in an informal context that encourages communication, improvisation, and fun. Instructors will take turns leading. All are welcome. Period 5 ~ Foghorn Stringband, Slim Harrison

Rags and Stomps
This class will concentrate on the string ragtime of the 20s and 30s. Papa Charlie McCoy, Coley Jones, Howard Armstrong and others will be composers we visit. Syncopated and hot, stomps and rags were the precursors of bluegrass gypsy jazz. Vicksburg Stomp, Dallas Rag and other classics will be taught. All instruments are welcome. Period 4 ~ Barry Mitterhoff, Joe Selly

Singing with Your Instrument
Join venerable folk-roots musician Andy Cohen in a singing and playing class that will bring to life great songs from a wide variety of American traditions. Lyric and chord sheets will be provided and you will have the opportunity to bring songs to the class that you have discovered and want to share with others. Bring your instruments and/or voices to help accompany this rollicking singing class. Guaranteed to be fun, you will emerge with an American Songbag repertoire. Period 3 ~ Andy Cohen

Songs of Our Father
The Ronstadt brothers are the result of a rich musical family tradition from the Sonoran Desert. The Arizona borderland is a musical melting pot, where traditions meet, mingle and affect one another, creating unique music. Michael J. Ronstadt, was a highly valued instructor at Common Ground on the Hill for a number of years. He carved out a musical life that included performing and recording with his sister Linda, singing with the Ronstadt Cousins throughout the 1990s and early 2000s, and playing for several years with lifelong friend Ted Ramirez in the powerful Santa Cruz River Band beginning in 2004. His final musical tour de force was to join with his sons Michael and Petie in creating the Ronstadt Generations. In this class, Michael’s sons will celebrate his life by exploring and sharing their father’s music, as well as the music of their earlier ancestors. Enjoy this class as a participatory and instrumental class, or attend merely to listen and soak up this wonderful music.Period 2 ~ Michael G. Ronstadt, Peter D. Ronstadt

Big Song Swap
Instructors and students come together in a feast of good songs: traditional, original, old, and new. In an era of musical hype and performance overload, this is a rare opportunity to sing, play and even just listen. Teachable songs with good choruses are highly encouraged! Faculty will facilitate the class, making sure that all those who care to do so will share or lead a song. Period 5 ~ David Roth

Digging Deeper, Writing Better
For writers of all forms: songs, essays, poetry, stories. An award-winning journalist and songwriter shares the advice he followed over the years to paint vivid word pictures that will take your writing to a new level, no matter where you start. Come prepared to write and rewrite. Period 3 ~ David Morris

From the Heartland of Our Country - Songs that America Sang
American popular music is chock-full of wonderful songs, spanning from the colonial era to more recent times. In this class, we’ll explore tunes from both the white and black traditions, including ballads, songs from the Civil War and social movements, Appalachian music, etc. Participants are encouraged to sing, play along, or just listen. This will be a great class in which to enlarge your repertoire. Period 4 ~ Sparky & Rhonda Rucker

Rise Up Singing +
Come sing with us to start out your day right… Bring any voice you have, (and an instrument too if you want) and we’ll sing dozens of songs: Traditional American and British Isles, gospel, blues & soul, 60s & 70s pop, old and new folk, Dylan, Beatles, classic country, political and protest songs, some silly ones, plus some of our favorites that you can learn fast. Period 1 ~ A.J. Bodnar, Liza DiSavino

Songwriting 101/SongStarting with David Roth
Join a collective think-tank on getting a new song off the ground that feels meaningful and juicy from the ground up. I will be your friendly, supportive, and honest guide based (and only based) on my experience over the years. Here’s what I’d like you to bring to class: an open mind, open heart, willingness to “speak” in the first person (and not “we" all over everyone), a sense of humor, and your song idea that is most substantive for you right now.  It can change. From this we build, step by step, exercise by exercise. We will do our best to hone in on a creative expression that is concise, evocative, and memorable. Period 2 ~ David Roth

Traditional and New Irish Song +
Shannon Quinn is that rare combination of great singer and great instrumentalist. This Nova Scotian has traveled the world doing both of these things to great acclaim, including being featured with Cirque Du Soleil and The Chieftains in Canada as well as being a featured soloist with Symphony Nova Scotia. In 2015 she released her second album entitled “If All the Young Ladies” featuring Shannon primarily as a vocalist. Enjoy this singing class where you will learn a number of great Irish songs from the tradition, as well as new songs crafted in the tradition. Singers, instrumentalists and listeners welcome! Period 3 ~ Shannon Quinn

Big Song Swap
Faculty and students come together in a feast of good songs: traditional, original, old, and new. In an era of musical hype and performance overload, this is a rare opportunity to sing, play and even just listen. Teachable songs with good choruses are highly encouraged! Faculty will facilitate the class, making sure that all those who care to do so will share or lead a song. Period 5 ~ Dan Collins, Shelley Ensor, Lea Gilmore, Josh Hisle, Tim Scully
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CircleSinging 
CircleSinging is a spontaneous singing experience developing musicality, listening and cooperation. It's a little bit like a "drum circle" for singers. In a circlesong, a leader starts by improvising a line of music and teaches it to one part of the circle. The leader then develops more parts that goes with the first and gives those parts to other sections. CircleSingers learn and repeat the part given to them. Soon we are singing a harmonious chorus that has never been sung before. Improvised singing is accessible to beginning singers, but can also challenge the very experienced. Paris will teach the step-by-step techniques used in this form of music making. Because of the online nature of this years' workshop Paris is adapting the format. We will concentrate on the skill and techniques of improvisation and creativity. You will have opportunity to lead, invent, harmonize and listen. Paris has been working the last few months with an international group of circlesingers discovering new ways to create and improvise within the limitations of singing online. It will be very helpful to have a device like a iPhone or pad or a phone that will record voice in addition to your computer. Downloading the loopy app for Iphone or Ipad will be extremely helpful but not mandatory. Period 3 ~ Paris Kern

The Craft of Songwriting
The key to writing better songs is filling your songs with lyrical hooks AND melodic hooks. In this class, for all levels, an award-winning songwriter will teach you how to find these hooks and how to incorporate them into your compositions. Period 1 ~ David Morris

Healing Through Song
Every day thousands of people are in hospitals, assisted living facilities and programs, sick, alone, and in need of music. You don’t have to be a professional musician to make a difference in the lives of patients, their families and the support staff. Become a part of patients’ healing journeys by visiting and playing music. We'll start by developing a repertoire. We will also discuss how to pick out what to play, where to play, who to contact, what to bring and some basic advice on what to expect and how to act. We’ll visit a local facility to put our learning into practice. This is a life changing experience. Come have fun, sing, play and learn, and leave better prepared to share the love. See the video of the instructor, below!  Period 3 ~ Tim Scully

Big Song Swap
Faculty and students come together in a feast of good songs: traditional, original, old, and new. In an era of musical hype and performance overload, this is a rare opportunity to sing, play and even just listen. Teachable songs with good choruses are highly encouraged! Faculty will facilitate the class, making sure that all those who care to do so will share or lead a song. Period 5 ~ Rod MacDonald, Susan Boyer Haley, Bob Lucas, Elizabeth Melvin, Michael G. Ronstadt, Peter D. Ronstadt, Livia Vanaver

Cajun, Honky Tonk, Old-Time, Country & More +
Join Nadine Landry and Sammy Lind in this fun and freewheeling participatory class.  Alternating between fiddle, banjo, guitar and accordion, they play songs true to the roots of American music with energy and respect.  You will sing and play some wonderful songs with these members of the Foghorn Stringband.  Singers, instrumentalists and listeners welcome! Period 1 ~ Sammy Lind, Nadine Landry

Duet Singing with Caleb Klauder and Reeb Willms +
Enjoy this heartfelt and rollicking singing and playing class led by Caleb Klauder and Reeb Willms of the Foghorn Stringband, reflecting the songs from their critically acclaimed duo albums “Innocent Road” and “Oh Do you Remember.” Singers, instrumentalists and listeners welcome! Period 4 ~ Caleb Klauder, Reeb Willms

Exploring Cuban Clave Through Song
There are keys to navigating syncopation in musical styles from all over the world. In West Africa, and that diaspora, clave patterns contain the play of tension and release throughout the music and dance. This class will balance explanations with listening, and mainly practicing various clave patterns, using mnemonics, stepping, clave sticks and cowbells (bring them if you have some, but don't buy before the class.) We will learn some Cuban songs and choruses in which the melody falls exactly on the "bones of the beat." Period 4 ~ Steve Bloom

Favorite Folk Songs of Bohemia, Moravia and Slovakia +
Learn to sing a selection of beloved folk songs from the heart of Europe. Each region has distinctive melodies and harmonies that are fun to sing. Bring along a guitar or ukulele (the instructor will help with chords) or just come to sing. Discover the depth of the Slavic soul in joy and in sorrow. Period 5 ~ Bob Rychlik

How Can I Keep from Singing?
This is a class for all students who love to sing! It is not necessary to be an experienced singer. The music is based on the American folk song tradition. The song material covered will be meaningful, soulful, loving, humorous, and fun. These songs can then be shared with your families and communities in the year ahead or simply enjoyed by YOU! Period 3 ~ Susan Boyer Haley

Look & Listen: The Beauty of the Blues
Blues is the underpinning of much of our best popular music: folk, jazz, rock, soul, and R & B. Using classic and rare recordings and film, this multi-media course, now being offered for its 23nd year, is guaranteed to open your ears and eyes to the blues and its mammoth impact on American culture. Count on a good time when Cary, producer of the syndicated radio show, Blues from the Red Rooster Lounge, and former editor and publisher of Blues Access magazine, shares his lifetime of experiences as a fan, radio host, and magazine publisher, along with a bevy of examples from his vast audio and video collection. If you thought the blues was a bummer, think again! Period 5 ~ Cary Wolfson

Music Reading/Sight Singing
When Pete Seeger was asked if he could read music, he replied “Not enough to hurt my playing!” This is your chance to learn how to read music, a course designed for people who have never read music before and folks who just want to brush up on their skills. We will learn the basics of deciphering the music manuscript “code” and applying it to the human voice. Though we’ll be singing, the information in this course will be immensely helpful for instrumentalists as well. Handouts will be available. Classes 1-5 will introduce progressively more challenging tunes to sight read. Class 1 will introduce the staff, pitches (using the fixed-do system), simple note values, clef signs, and time signatures. We’ll talk about intervals and how to identify them by sight as well as by ear. Class 2 will introduce key signatures, sharps and flats, and more complicated rhythmic values such as dotted rhythms and triplets. Class 3 will add dynamics to the mix. Class 4 will include information on tempo markings and how to use a metronome effectively. Class 5 will (hopefully) introduce a harmony line so participants will be sight-reading 2 parts together. Period 1 ~ Brenda Anna

Rise Up Singing
Come sing great songs with memorable and moving choruses. Each day, time will be spent on learning new songs, singing familiar songs and discussing vocal technique. The class will range through many different types of English-language songs: ballads, work songs, sea chanteys, songs of protest, songs of humor, and others. Rise Up Singing is a full-on participatory class for singers of all abilities. Come to sing and enjoy the company of other singers in a non-judgmental environment. Learn some technique, expand your repertoire, and have a great bit of fun. Period 1 ~ A.J. Bodnar, Liza DiSavino

Singing with Your Instrument +
Join venerable folk-roots musician Andy Cohen in a singing and playing class that will bring to life great songs from a wide variety of American traditions. Lyric and chord sheets will be provided and you will have the opportunity to bring songs to the class that you have discovered and want to share with others. Bring your instruments and/or voices to help accompany this rollicking singing class. Guaranteed to be fun, you will emerge with an American Songbag repertoire. Period 3 ~ Andy Cohen

Singing Your Favorite Songs
Explore the art of singing in individual and group settings, choosing favorite material and presenting it with confidence, by learning to sing it in your natural voice. This interactive workshop will aim to bring out the best in your voice. Period 2 ~ Rod MacDonald

Songs of Our Father +
The Ronstadt brothers are the result of a rich musical family tradition from the Sonoran Desert. The Arizona borderland is a musical melting pot, where traditions meet, mingle and affect one another, creating unique music.  Michael J. Ronstadt, was a highly valued instructor at Common Ground on the Hill for a number of years.  He carved out a musical life that included performing and recording with his sister Linda, singing with the Ronstadt Cousins throughout the 1990s and early 2000s, and playing for several years with lifelong friend Ted Ramirez in the powerful Santa Cruz River Band beginning in 2004. His final musical tour de force was to join with his sons Michael and Petie in creating the Ronstadt Generations.  In this class, Michael’s sons will celebrate his life by exploring and sharing their father’s music, as well as the music of their earlier ancestors.  Enjoy this class as a participatory singing and instrumental class, or attend merely to listen and soak up this wonderful music. Period 2 ~ Michael G. Ronstadt, Peter D. Ronstadt

Songwriting – Old Forms, New Words +
Instructor Bob Lucas's songwriting is informed by a deep knowledge of "old songs" and bluegrass and old-time song forms, as well as a thorough understanding of how the voice carries lyrics to our ears. His songs have been recorded by the likes of Alison Krauss and the New Grass Revival. Join Bob in this workshop that will both inspire you and teach you to find the songwriter within yourself. Bring your instrument, paper and pencil, perhaps a recording device, and most of all, your interest in writing a song. Students are encouraged to bring songs they have written, unfinished songs and even fragments of a song idea. Period 3 ~ Bob Lucas

Songwriting with Rod MacDonald
From the beginner to the experienced writer, making real songs means respecting your inspiration and learning some technique. This course aims to get you started and give you the tools to express yourself in music and words. Speak your mind in an artistic and convincing way, with humor, anger, poetic and musical artistry, storytelling, character, and facts, and be understood clearly. Sing Out! calls Rod “A modern day troubadour of the people and for the people.”  Period 1 ~ Rod MacDonald

The Story of Appalachia Through Its Women of Music
The powerful and moving story of Appalachia is experienced through the eyes, ears and voices of its musical queens: early songcatchers Olive Dame Campbell, Emma Bell Miles, and Katherine Jackson French; early recording artists Samantha Bumgarner and Nonnie Smith Presson; Barn Dance radio stars Lullabelle and Lily Mae Ledford & the Coon Creek Girls;  Sarah and Maybelle Carter of the Carter Family ; activist musicians Aunt Molly Jackson and Florence Reece; early country icon Patsy Cline; the mother of folk music Jean Ritchie; and the divine Dolly Parton. We’ll see how gender roles both aided and restricted these women, and how their experiences resonate in today’s music world. Lecture, videos, and listening will be interspersed with singing songs from the repertoire of these important women, whose music and actions helped shape American history.  Period 3 ~ Liza DiSavino

African Drumming
This morning course will teach the rudiments and nuances of African drumming as played for dance. Drumming is a community-building experience. Teenage understudies from the Sankofa Youth Ensemble will assist. Students should supply their own drums. Some drums will be available to use and others and can be purchased before the course convenes. ​Period 1 ~ Jumoke & Kibibi Ajanku of Sankofa Dance Theater

Exploring Cuban Clave Through Song
There are keys to navigating syncopation in musical styles from all over the world. In West Africa, and that diaspora, clave patterns contain the play of tension and release throughout the music and dance. This class will balance explanations with listening, and mainly practicing various clave patterns, using mnemonics, stepping, clave sticks and cowbells (bring them if you have some, but don't buy before the class.) We will learn some Cuban songs and choruses in which the melody falls exactly on the "bones of the beat."  ​​Period 4 ~ Steve Bloom

Social Media Live Streaming Basics for Effective Broadcasts
With the way the world has changed due to corona virus, we as musicians have had to be progressive in our use of technology and strategies for bringing our music to fans around the world. One of the most prominent aspects of this change is the boom of “Live Stream Concerts” across almost every major social media platform. Even professional international touring acts have struggled with everything from distorted audio quality to pixelated screens when trying to live stream. This does not mean that it is impossible for you at home to achieve good quality live stream that will allow you to continue to draw fans and put out virtual tip jars. In this class we will cover good ideas for advertising your live streams, how to phrase asking for tips, how to put together your program and set list, good common practices for how to retain viewers, and lastly what you need to know about how to use the technology you already have at home to get the best quality audio and video for your stream. Period 4  ~ Phil Spiess

Simple Recording Concepts to Apply to Any Situation: Using Your Ears Before Your Wallet
Join sound engineers Peter Ronstadt and Gary Bowden for a conversational class on simplistic approaches to recording. Learn some basic techniques and problem-solving skills that you can apply to many situations, whether you’re recording an album or a demo, a voice memo on your iPhone or a multi-track recording. With the wide array of acoustic instruments in the world it is impossible to learn or “know” a technique to mic every instrument you may encounter, but this class can give you an idea on how to approach that puzzle if it presents itself. We’ll put some of these ideas to use in class with some basic home recording gear. Period 3 ~ Gary Bowden, Peter D. Ronstadt

So You Wanna Make a CD?
It may be easier than you think but it pays to learn as much as you can before you begin! In this daily class participants will learn how to organize their project, including arranging material, contracting musicians, choosing an appropriate recording facility, and a myriad of other factors that go into a producing a successful recording project. Your instructor, Harry Orlove, who has produced countless projects in L.A., will demonstrate how all the pieces fit together in the Common Ground recording studio on the last day of class. Period 4 ~ Harry Orlove